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Sculptor
Eugenio Baroni
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Eugenio Baroni
Trained at the Academy ligustica of Genoa at the beginning followed the taste of L. Bistolfi to carry out works such as the monument in Quarto dei Mille. Later he came to a formal synthesis of avant-garde thanks both to the comparison with A. Rodin is updating the panorama of contemporary German.
He realized, amongst other statues in the stadium dei Marmi at the Foro Italico in Rome. Among the works submitted to the Italian exhibitions include: Giuseppe ebreo, Testa di donna, L’umanità, Le illusioni, Il viso e la maschera, La lampada, Madre col bambino, L’uomo che pensa, Fidanzamento, Crocifisso, Il fante cieco, Studi d’espressione, Schizzi di vedette alpine sul Pasubio, Il Fante che saluta la madre, La lampada, Vittoria, Il reduce, Coro di scaricatori nel porto di Genova, Caduti, Fontanina, Ritratto di E.Mantelli, Canterini del porto, Saltatore con l’asta.
The site is constantly updated with unpublished works by the protagonists of painting and sculpture between the nineteenth and twentieth centuries.