De Stefani Vincenzo

Student, in his city, Napoleon’s Nani, and in Rome for some time Maccari. In 1885 he retired on Lake Garda, where he remained about three years in solitude, assiduously painting from life, and then went to Venice, where together with Vizzotto Alberti expected the decoration of the new hall of the Provincial Council. Correct designer and strong colorist, met favor and had considerable success in the many national and international exhibitions which he participated.

He treated the landscape, the marina and the portrait. Main works: “In the mountains”; “Montanina” “Sad convalescence” at the Famiglia Artistica in Milan; “In Capri,” “In the time of cicadas,” “Black tie”, “melancholy”, “Along the Adige “” Via di Capri “;” Monte Mario “;” La Cenerentola, “” At the barrel “,” Flowers of March “;” Benaco marine environment “;” Shadows “and” Lisa “, the Museum of Verona,” The good words “at the comm. Guido Franceschini Montignacco; “Noon” in the Gallery of Modern Art in Venice. Portraits: “My father,” property of the ECC. De Stefani, “The painter’s mother Fragiacomo” “De Conti Azarda”; “Principles Giovannelli,” “Self-portrait”, “My Daughter,” “Lady Kekler of Udine,” “Eleonora Duse”, performed in 1890 and owned by the Mrs. Maria Bonanome; “the painter Miss Sawn”, exhibited at the 1931 Quadrennial.

The Venice Biennale of 1912 dedicated a room with thirty-five works, and the Exhibition of Forty (Venice, 1935) twenty-one works. Notable among them: “Self-portrait”, “shadow”, “The three friends Beppe Ciardi, Fragiacomo, De Stefani,” “Awakening in the study,” “Lady in a Garden”.