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Stefano Bruzzi
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Stefano Bruzzi
Stefano Bruzzi
The first training received it in his hometown where he specialized incaricatures. One step further update was accomplished in hismoving to Rome where he met A.Castelli, true supporter oflandscape composition based on a study of the true in every particular.
Bruzzi also had the opportunity to get closer to N.Costa,another promoter of realism even if in a more intellectual. In 1859 he returned to Piacenza and devoted himself to portray animals and thehumility of the subjects of the country, with painting with enamelcolors and fine detail.
In the 70’s he also Macchiaioli groupconfirming his poetic realist. Among the works sent to the Promotersare: Riglio di restano sull’Appennino, Interno di Ariccia, Un’aia nell’Appennino, Quiete campestre, Una carbonara sull’Appennino, La seminagione del grano, Bosco di faggi, Una carbonaia in autunno, Veduta del castello di Bard, Un taglialegna, Allegria campestre, I Segantini, Il cozzo, La sosta, L’ore calde, La strada del mercato, Un campo malchiuso, Il carico del carbone, Un passo difficile, Sull’orma del lupo, Sotto al portico, Prime giornate di bel tempo, Il dirupo, Sotto al giogo, Uccisiori del lupo, A precipizio, La Primavera, Strada facendo, Le foglie secche, Una brutta giornata, Il Viatico, La predica dei missionari sull’Appennino, Le ultime spighe, La Treggia, Via Montana, Una missione religiosa sull’Appennino, Buoi al lavoro, Il fischio della locomotiva.
