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Luigi Bertelli
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Luigi Bertelli
He completed his training by himself or at least not in an official manner. Soon adjourned to the language is realistic thanks to contacts with Tuscan setting, and then the testing of the Macchia, both the French naturalism. Date back to the 60s a few trips to Paris, where he was exposed to the mushy language of the painters of Barbizon.
He exhibited on several occasions in Italian exhibitions and remember in this regard such works as: Avanzi di un antico castello, Scena di tramonti nella pineta di Ravenna, Casolare rustico in tempo di autunno – preso nei contorni di Bologna, Veduta del battiferro – sopra il canale navile in vicinanza di Bologna – sul terminare dell’inverno, Una villa nei dintorni di Bologna dal vero, Un tramonto nelle valli del bolognese, La preghiera del mattino, Bella sera – Buon tempo si spera.
The site is constantly updated with unpublished works by the protagonists of painting and sculpture between the nineteenth and twentieth centuries.