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Leonardo Bazzaro
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Leonardo Bazzaro
He completed his training under the guidance of G. Fasanotti in the Accademia di Brera and later specialized in interior paint in the wake of G. Migliara. Quickly approached the study of the truecoming to a para impressionist language to great effect and fortune among his contemporaries. Favorite subjects wereVenice and Chioggia, where he stayed on several occasions, the mountains of Lombardy and Valle D’Aosta and even portraits.
Among the works sent to the Italian exhibitions include: Coro di San Vittorio Grande, La Genovese, Donna con cappello nero, Un mesto Ufficio, L’ora del caldo, Paesaggio, Mezza figura dal vero, Sala del Grande Consiglio del palazzo Ducale di Venezia, Una vestizione di monaca, Meriggio, Sulla sera, A Pozzuoli, Dintorni di Biella, Porto di Genova, Certosino, Ponte di Rialto di Venezia, Monti di Premano, Casolare di pescatori, In montagna, Cascinale, Raccolta delle castagne, Come i frati minor vanno per via, Cascinale, Altri tempi.
The site is constantly updated with unpublished works by the protagonists of painting and sculpture between the nineteenth and twentieth centuries.