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Ignazio Affanni
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Ignazio Affanni
He completed his training in the academic Parma with an eye to the purism of F.Scaramuzza correct. In 1859 he obtained the retired to Florence, where he continued the study of the great masters of old.
His themes are both biblical ispirti to everyday reality with clear intent morlaistici and sentimental overtones (The rifiuo, stored at the City of Parma). He sent numerous works for local and national exhibitions among which we mention: La figlia di Jafet, I ricordi di una madre, L’elemosina segreta, Il primo pensier d’amore, La cacciata dei Medici da Firenze, La venditrice di polli, La figlia di Sionne, Un mesto pensiero alla patri, Menestrello e la sua donna.
The site is constantly updated with unpublished works by the protagonists of painting and sculpture between the nineteenth and twentieth centuries.