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Eugenio Viti
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Eugenio Viti
He completed his training under the guidance of V.Volpe who introduced him to the great tradition of the nineteenth centuryNeapolitan painting from A.Mancini to M.Cammarano.
Soon he joined the group of the “Secession of the 23” and began his highly experimental stage: he assimilated the lesson post impressionist, examples derived from the exhibition in Rome in 1911 by A.Zorn toG.Klimt, and became interested in the secessionist suggestions.
Later he came into contact with the seventeenth-century paintingand I were born intense games backlight in his paintings. Among theoepre sent to national exhibitions include: Villanella, Nel parco, Danzatrice, Romanticismo, Alla sorgente, Maggio, Calvario, L’aurora, Lontano, Zingarella, Roccia delle sirene, Caterina sul parapetto, L’album bianco, Siesta e Sibilla.
The site is constantly updated with unpublished works by the protagonists of painting and sculpture between the nineteenth and twentieth centuries.