Carlo Pittara

He performed various jobs graceful , exhibited in many exhibitions . A one in Turin in 1880 , he sent : “The exhibition of Saluzzo ” style of the seventeenth century , in Milan , in 1883 , “Animals trough ” in Rome , in 1883, ” grazing ” in Turin in 1884 ” morning music “, ” Sunset “, ” watering “, ” Departure for the hunt ,” ” Greater Paris ” at the Promoter of 1885 , “Spring” , in Milan , in 1886 , “The Tree of Murgère ” ( forest of Fontainebleau ), in Venice, in 1887, ” Pasture “, ” View of the Auvergne “, ” decorative painting ” , at the Promoter of 1887, “Waiting ” to that of 1888 , ” the evening ,” and finally to ‘ last done in 1889 sent the painting called ” Sheep ” . About he writes F. De Renzis in his ‘ Conversations Artistic ‘ ,’ The Pittara , now at the highest rung of the career, nell’umidore the Piedmont countryside ago movere and graze his cows milk. As well blends in everything, as everything is nice eye !

The strong structure of animals in line opulent as it marries well with the severity of the valley ! The bright white of the breasts swollen , yellowish stains the skin as blend with the green of the lawn again ! You can see the first burst of spring branches stripped of leaves. In the middle of the fields to grass irideggianti for the drops of morning dew come the first flowers .

How much harmony blows from that scene and how everything is connected and complete. We must have recourse to the thought Trogon for the comparison , the picture takes you to the mind ‘ all’Abreuvoir ‘ Van der Velde which belonged to Prince Demidoff , where it four or five cows in a harmonious clarity looming mountains fund » . Source De Gubernatis .