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( Perasto 1801 - Venezia 1870 )
He was a pupil of Francesco Guardi probably when he was already old and he has just learned the touch detected and fat of the eighteenth century. To the heavens, funds dyed surface, the artist applied strokes of light measured thickness and the effects of tastes are sure getting up.
His works were highly esteemed by the French approaching their taste. E ‘to be placed, according to the Bow, the ranks of followers canalettiani. The Delogu in his work on minor painters Veneziani cites the works of Kestner Museum Hannover. At the office of Bergamo Brembilla exists a tablet, “The Grand Canal in Venice.”
The site is constantly updated with unpublished works by the protagonists of painting and sculpture between the nineteenth and twentieth centuries.